西藏民族大学学报（社会科学版）

唐卡作为藏族文化艺术的一种绘画形式,具有其独特的传统工艺和鲜明的民族特色。在其上千年的继承和发展过程中,不断地吸收和借鉴周边国家和地区大量的艺术绘画形式,成为中国民族艺术中的奇葩。本文通过对唐卡绘画装裱艺术进行了论述,从而可以看到装裱对唐卡绘画的重要性和装裱的民族特色,使其精美的艺术特色得以展现,在中国民族艺术的舞台上大放光彩。

As a form of drawing in Tibetan cultural art, Tangkar has it's unique traditional technique and clear national characteristics. In the developing process of thousand years, it continuously absorb and learn from other drawing forms of neighbor countries and areas. This paper describes the art of mounting Tangkar, from this one can figure out the importance of mounting to Tangkar drawing and the characteristics. By doing so, its delicate art could be displayed and expressed on Chinese art stage.